That way, we can turn his voice up, without also turning up those unpleasant frequencies as well. To that end, we’re going to scan through the frequencies in Dale’s voice, listening for harsh frequencies that stand out, and we’re going to cut them drastically. When EQing, well, anything, the general rule is that subtractive EQ is more effective than additive EQ. I ended up only working with the lav mic here. I know you’re probably a video guy/gal so I don’t want to put you to sleep with audio techtalk, but basically if the two mics are receiving sound at slightly different times, they might start to cancel each other out and sound thin and weak. I’d highly recommend using only one microphone for the finished video to avoid phase issues between the two mics. In the video tutorial accompanying this article we actually had two microphone tracks to work with from our buddy Dale: a lav mic and a boom mic. We’re going to sweeten our dialog tracks in three steps.
They lack color, giving you lots of room to color them yourself to taste. Modern microphones are similar in that they capture a flat response to sound, emphasizing neither the lows nor highs. “Where are all the colors?” Rather than bore them with details of image latitude and compression ratios you quickly switch on a LUT to shut them up and go about your business. I’m sure you’ve been in a scenario where you’re editing log footage and the client asks you why it looks gray. The frequency response of a rode NTG3 shotgun mic. Which is larger? Which is more important? I know what Hitchcock would say… 24 frames per second or 96 THOUSAND audio samples per second. I don’t care if Roger Deakins lit your commercial and Tom Poole color graded it If it sounds like garbage, I don’t want to watch it. Credit ĭaVinci Resolve possesses a slew of audio plugins in their Digital Audio Workstation that can really sweeten up your dialog tracks and make your videos come to life. Chances are you’ll want to do some post-production work like EQ and compression so that your sound emphasizes the story.Ĭhances are you’d like to do this all in the same program.Įnter DaVinci Resolve. They’re super high-fidelity, super clear, and super easy to get a great sound even on a budget. Chances are you’ll want to do some post-production like color correction and VFX work so that your image emphasizes the story. They’re super high resolution, super sharp, and super easy to get a filmic look even on a budget. DaVinci Resolve Quick Tips: Voice Sweetening with Fairlight By Ross Papitto
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